Drop #28 is a proper mixed bag. Grunge scripts, gothic architecture, ornamental vectors pulled from century-old trade catalogues, a MacBook mockup that looks like it belongs in a prop department. Good week. Here's what landed.
Fonts
Onehart Script & Sans from The Branded Quotes looks like someone screenprinted it onto a band tee, left it in a drawer for a decade, and then it came out better for it. The ink-blot weight inconsistency isn't a bug, it's the whole personality. You get both the script and a sans companion, which gives you a workable pairing without having to hunt down something that matches the energy. OTF, TTF, and WOFF included. Built for streetwear, album covers, and anything that's supposed to feel like it was made by a person rather than a committee. If you want more in this direction, there are more grunge fonts worth a look.
Typeparties' Relave Expressive Modern Serif sits in that editorial-warm zone that's been quietly dominating independent publishing, upmarket packaging, and DTC brand identities. Rounded serifs, playful alternates that introduce just enough personality to stop it reading as generic, and enough structure to hold up at display size. It ships in OTF, TTF, WOFF, and WOFF2, so it covers print and web without fuss. The kind of face that looks considered without announcing itself.
Züli's zünk is a hand-inked display typeface with all the rough-edged, slightly chaotic energy of early-2000s graphic design before everything got cleaned up and systematised. Bold, gestural, looks like it was drawn on a notebook cover during a class nobody was paying attention to. OTF only, which keeps things simple. Good for poster headlines, merch drops, and anything where clean legibility would actually undermine the point.
Type Mania's Overprint Outline TM is doing something genuinely clever at the technical level. Turn on contextual alternates and the two stylistic sets rotate automatically when the same glyph appears next to itself, distributing subtle imperfections across the word so no two letters read the same. The result feels xeroxed, distressed, properly tactile without looking like you dragged a texture overlay over a clean font. Comes in OTF, TTF, and WOFF2. Skate posters, bootleg-aesthetic branding, festival flyers, limited run packaging. It earns its place.
Graphics
678 pieces. That's what MiksKS put into The Decorative Frame & Border Repository Vol. II, sourced from early 20th century trade catalogues and restored to clean vector. Victorian filigree, Gothic borders, ornate corner details, the kind of material that shows up on book covers, editorial spreads, and luxury brand identity work. You get AI, SVG, PSD, and PNG files, plus a bonus grunge Photoshop stamp template that pushes the archive toward something more contemporary. The breadth here is the point. Having 678 options means actually finding the one that fits, not settling.
If your current project involves any kind of surface design, packaging, or fabric work, 36 Premium Seamless Graphism Patterns VOL.02 from drdlstudio is worth a proper look. Thirty-six fully scalable vector patterns covering abstract, geometric, and organic graphic territory, all built for production workflows. AI, SVG, EPS, PDF, PNG, and JPG formats mean they'll slot into whatever pipeline you're running, from Illustrator to print bureau handoff. The patterns have a restless energy that reads well on apparel and packaging without collapsing into trend-chasing.
h0vado's Castles & Cathedrals pack delivers 190 gothic architectural illustrations at 600 DPI. Castles, fortresses, cathedrals, ornamental details, window tracery, portal arches. The resolution is serious enough to go large on print without degradation, and the engraving-style linework means these sit naturally in dark, editorial, or historical contexts without needing much reworking. Merch, book covers, poster art, zine layouts. The kind of assets where you buy once and pull from repeatedly across different projects.
Medieval Garden: Graphic Craft Kit from Softulka is operating at the intersection of Gothic craft and whatever you'd call the current wave of neo-sigilism that's been showing up across underground music, tattoo-adjacent design, and dark-leaning brand work. 427 elements: thorny linework, pre-made frames, borders, sigil-style ornaments, all vector and all built for rearranging. AI, SVG, EPS, PDF, and PNG formats covered. At 427 pieces it functions less like a kit and more like a working vocabulary you can build compositions from.
Effects
Pixelbuddha's Cardboard Line Photo Print is a Photoshop Smart Object effect that does one thing and does it well. Drop your image in, get back something that reads like it came out of a worn scanner or got run through a cheap printer in a rush. The lined, corrugated texture sits closer to craft and analogue process than to polished retouching. Built-in layer controls let you dial the effect rather than commit immediately. For social content, poster work, or anything where clinical digital production is exactly the wrong energy.
Mockups
Mockup Flock's RP.V2 MacBook Mockup shoots at 6000x4000 pixels at 300 DPI, which covers you for any presentation format without upscaling. The aesthetic sits in an action figure and industrial prop space rather than a lifestyle-coffee-shop setup, which is a deliberate creative choice and a welcome one. Photoshop PSD with Smart Object placement. If you're presenting UI work, brand identities, or anything digital and you're tired of the same ambient desk photographs every other designer is using, this has a distinctly different visual register.
That's the lot for drop #28. Head to the new releases to see everything fresh this week.
