






Oakes Grotesk - Full Family
Oakes Grotesk - Full Family
Studio Few
Description
Oakes Grotesk is a more corporate take on the Oakes typeface. It explores a set of brand new metrics that allow it to be more legible in body text as well as headings. The letter ‘g’ has been tweaked to become double-story as well as the refinement of other characters. This is all whilst maintaining the subtle curves of the Oakes typeface.
Languages: Baltic, Basic Latin, Central European, Dutch, Euro, Romanian, Turkish & Western European
Weights: 5 with Italics
Classification: Grotesk
AI Overview
Oakes Grotesk - Full Family is a modern, clean sans-serif typeface that offers a corporate adaptation of the original Oakes font. It features refined characters, a double-story 'g', and new metrics for improved legibility in both body text and headings, across multiple languages and five weight options with italics.
Use Cases
Ideal for modern corporate branding and clean graphic design. Perfect for websites, business cards, and marketing materials, ensuring enhanced legibility and a professional aesthetic.
Uploaded: July 25, 2023
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Frequently Asked Questions
We want you to be happy with your purchase! We do offer refunds for digital products if you experience a technical issue that our support team cannot resolve. Just reach out to us within 30 days of your purchase, and we'll be here to help.
After your purchase is complete, you'll receive a confirmation email with a link to download your files. You can also log into your account and access your downloads from the 'My Downloads' section.
Our products come with different licensing options that allow for many types of use cases. Our licenses page includes detailed information about the available licenses, so you can choose the one that fits your project. Click here to view licence details.
Studio Few
Few suggests less, but never absence. It allows for focus on what matters most. It conveys the idea of a group, family, and community. Open to character and expression, Few is inherently human.
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